New Mexico Art League
                  Art School ∙ Gallery 


 
 
 
 

 

Classes & Workshops - Registration Links

Upcoming events

    • 02/22/2026
    • 1:00 PM - 4:00 PM
    • Art League Studios
    • 6
    Register

     The New Mexico Art League holds Sunday Life Drawing Sessions each week with either a clothed or nude model.

    We will begin with quick warm-up poses so artists can capture the figure in motion and move to extended poses during the 3 hour session. These drawing sessions are open to artists of all levels. Artists should bring their own materials and drawing surface. Easels and drawing benches are provided for your use. 



    These sessions do require advance registration.  


    Please check your calendar! Payment is not transferable or refundable.

    Please sign up early; each group is limited to 12 artists.

    Payment must be made at the time of registration in order to hold your place.

    Without payment your place will be cancelled.

    • 02/25/2026
    • 6:00 PM - 8:30 PM
    • Art League Studios
    • 12
    Register

     - SOLVENT FREE STUDIO -

    The New Mexico Art League now holds Wednesday Life Drawing Sessions each week with a  different classical nude pose.

    We will begin with quick warm-up poses so artists can capture the figure in motion and move to extended poses during the 2 1/2 hour session.

    These drawing sessions are open to artists of all levels. Artists should bring their own materials and drawing surface. Easels and drawing benches are provided for your use. 

    These sessions do require advance registration.  

    Please check your calendar! Payment is not transferable or refundable.

    Please sign up early; each group is limited to 12 artists.



    Payment must be made at the time of registration

    in order to hold your place.

    Without payment your place will be cancelled.

    • 03/01/2026
    • 1:00 PM - 4:00 PM
    • Art League Studios
    • 11
    Register

     The New Mexico Art League holds Sunday Life Drawing Sessions each week with either a clothed or nude model.

    We will begin with quick warm-up poses so artists can capture the figure in motion and move to extended poses during the 3 hour session. These drawing sessions are open to artists of all levels. Artists should bring their own materials and drawing surface. Easels and drawing benches are provided for your use. 



    These sessions do require advance registration.  


    Please check your calendar! Payment is not transferable or refundable.

    Please sign up early; each group is limited to 12 artists.

    Payment must be made at the time of registration in order to hold your place.

    Without payment your place will be cancelled.

    • 03/02/2026
    • 03/06/2026
    • 5 sessions
    • Art League Studios
    • 4
    Register

    Learn how to paint the figure, focusing on principles of simple-to-complex. The goal of this workshop is for each student to become more efficient in identifying overall value patterns of the composition and to gain more confidence in mixing flesh tones. In this 5-day intensive figure painting workshop we will be covering drawing, value patterns, and flesh tone color mixing. The workshop will start with a figure drawing refresher followed by a demonstration on measuring, including Classical figure drawing techniques. Finding simple value patterns will be a warm-up for painting. We will be doing a series of small paintings using a three value step scale during the first two days, working from photo references of Old Masters or 19th Century figurative paintings. The final three days we will work on flesh tone color mixing using a Zorn palette and touching on a full color flesh tone palette, as time permits. There will be a set-up provided with a live model, with a set pose for all 3 days.


    Materials List


    Peggy Nichols was born and raised in Southern California.  She received a BFA from the Kansas City Art Institute with continuing education at the University of Southern California/Los Angeles and the Los Angeles Academy of Figurative Art and the Kline Academy. She has studied with contemporary figurative masters, such as Juliette Aristides, Rob Liberace, Steve Huston, Bill Perkins and Stephen Early. Nichols has taught figurative painting & drawing, portrait painting and advanced painting at Saddleback College / Emeritus Institute, in Mission Viejo, CAShe has taught beginning drawing, pastel painting and figurative painting at the New Mexico Art League. Nichols has taught private classes in drawing and painting, at her studio near Corrales. Her works have been exhibited through out the US. She is a recipient of the Ludwig Vogelstein Grant and the Vermont Art Center Residency Program. She has been a member of the California Art Club, the West Coast Pastel Society, Women Painters West and the American Society of Oil Painters, to name a few. In 2011, Nichols founded Studio C Gallery, in DTLA, which  focused primarily on the work of Women artists. www.studiocgalleryla.com  The gallery is now online only.


    • 03/07/2026
    • 2:00 PM - 3:30 PM
    • Main Gallery
    • 23
    Register

    Albuquerque probably has more murals by Indigenous artists than any other city in the country. My presentation will share a range of murals, from the historic Maisel Trading Post paintings of 1939 and the Sunport murals of 1945 by Pop Chalee to the diverse works at the Indian Pueblo Cultural Center and the many contemporary murals found all over town.  Some are well-known landmarks, while others are more hidden, either indoors or in less-traveled locations.  Their content captures many personal stories, tribal traditions, and the artists’ efforts to balance their ancient cultures with their contemporary lives.  I am sharing as an outsider, a recent transplant to New Mexico, and am no way pretending to be an expert, but rather I see myself as on a learning journey, believing these works deserve to be seen as widely as possible.


    Free for Members | $5 for Non-Members

    Donations are welcome and appreciated to help support our programs!


    Robin Dunitz was born and raised in the Los Angeles area.  She graduated from UC Berkeley in 1977 with a degree in History.  She began documenting murals in LA after visiting Mexico City in 1983 and being inspired by the famous mural masterpieces found there.  

    In 1992 she self-published a guide book to Los Angeles area murals, and soon after that began organizing mural tours with the Mural Conservancy of LA.  For the next 10 years, she did monthly public tours to different neighborhoods, usually in collaboration with a local artist.  During this time she also co-wrote two more books on murals with James Prigoff, a fellow passionate mural photographer.  

    Walls of Heritage, Walls of Pride: African American Murals was published in 1998 by Pomegranate Communications.  With a grant from the California Council for the Humanities, Robin and Jim created an exhibit based on that book. From 2001-2010 the exhibit traveled to 7 venues around the country, including the Smithsonian’s Anacostia Museum.  

    From 2010 until 2021 Robin was retired from her mural career after adopting her 1 ½ year-old granddaughter.   However, in 2021, they moved to Albuquerque.  She discovered an exciting collection of public art almost everywhere she looked.  She was especially fascinated by the many murals by Indigenous artists, something she had only rarely seen elsewhere.  Robin soon began photographing painted walls, traveling throughout the state as she learned more about the artists and the whereabouts of their work.  She also found herself drawn to their respectful perspective on the natural world in contrast to the dominant American practice of extraction and pollution.  Our climate crisis demands that we all give Mother Earth the love she deserves.

    In order to share the beautiful and meaningful murals she was discovering, Robin decided to self publish first one and then another postcard book showcasing New Mexico’s Indigenous murals.  She especially wanted non-Natives to be exposed to the murals’ beauty and messages.  She also hopes Natives will feel a sense of pride, after often being portrayed as savages or no longer present in major media.  All her proceeds as publisher are being donated to Indigenous non-profits.  So far that has amounted to more than $10,000.

    She recognizes that she is no expert in Indigenous history, cultures, or art.  She share these images with you today merely as someone who believes that Art can change lives, and murals are one of the most accessible art forms reaching out broadly to us all.

     

    • 03/08/2026
    • 1:00 PM - 4:00 PM
    • Art League Studios
    • 11
    Register

     The New Mexico Art League holds Sunday Life Drawing Sessions each week with either a clothed or nude model.

    We will begin with quick warm-up poses so artists can capture the figure in motion and move to extended poses during the 3 hour session. These drawing sessions are open to artists of all levels. Artists should bring their own materials and drawing surface. Easels and drawing benches are provided for your use. 



    These sessions do require advance registration.  


    Please check your calendar! Payment is not transferable or refundable.

    Please sign up early; each group is limited to 12 artists.

    Payment must be made at the time of registration in order to hold your place.

    Without payment your place will be cancelled.

    • 03/10/2026
    • 03/12/2026
    • 3 sessions
    • Art League Studios
    • 0
    Join waitlist

    Monotype prints are a unique one of kind print, often called “painterly prints” due to the spontaneous nature of this process. Enjoy the textures and soft values that only monotypes can create.   During this workshop students will learn how to pull monotype prints using Akua liquid inks. Akua inks are non-toxic and clean up with rubbing alcohol.  Working on a polycarbonate plate (matrix) we will manipulate the ink with a brayer and a variety of mark making tools and materials.  This process will be explored first with only black ink and end with layers of colored inks. We will learn the basic monotype printing techniques: additive and subtractive mark-making, stencils, registration, offset and ghost prints.  Chin collè- aka: collage prints- will also be introduced to give the process even more exciting options to explore. The printing process can be as experiential and open ended as you want or as controlled: using Chin collè and stencils.  Your final compositions will be exciting prints reflecting your preferences in imagery.  We’ll wrap up the workshop with time to view our prints and share our insights and discoveries made during this three-day printmaking adventure.   Come learn, play and create with ink and a brayer!


    CLASS SIZE IS LIMITED TO 6 STUDENTS

    MATERIALS FEE:  $25 Materials Fee paid to instructor on first day of workshop.  All materials will be provided for this $25 fee.


    Beth Kassay-Padilla earned her first degree in 1984 from Alfred University in New York, studying printmaking and painting. After moving to New Mexico in 1985, she completed a second degree in Education at the University of New Mexico, where she began her career as an art educator with Albuquerque Public Schools. Working in elementary classrooms and observing the playful, exploratory approach of younger students encouraged her to loosen control and engage more deeply with process-driven artmaking. Beginning in 2000, she took workshops at New Grounds Printshop in Albuquerque and was a member from 2008 to 2012. It was there that she developed a lasting connection to Akua inks and monotype printing. She continues to work with Akua inks in her studio in Cedar Crest, New Mexico. Since retiring in 2023, her love of art, teaching, and being immersed in nature has kept her fulfilled, inspired, and artfully busy. www.artspaceeast.com/

    • 03/14/2026
    • 03/15/2026
    • 2 sessions
    • Art League Studios
    • 7
    Register

    You have created the work, now how do you get it seen? This intensive weekend workshop is designed to demystify the process of entering art exhibitions and help you present your work with professional polish. This class creates a dedicated space to master the logistics of being an exhibiting artist, where you will learn to properly photograph your work, select the strongest images, and decode complex prospectuses. We'll also explore the written elements of calls for entries, helping you craft an authentic artist biography and statement that resonate with jurors. Beyond the application, we will get hands-on with the physical presentation of your art, breaking down gallery standards for framing, wiring, mounting, and hardware to ensure your work looks impeccable upon delivery. Whether you are preparing for your first entry or looking to refine your professional presentation to increase your acceptance rate, this workshop will give you the tools and confidence to hit "submit."


    Cost note: Additional $10 materials fee to be paid to instructor at the beginning of workshop.


    Allison Jones Hunt  Allison Jones Hunt is an Albuquerque-based abstract artist using bold color, intuitive form, and  layers to create passionate paintings that spark reactions across the emotional spectrum. A graduate of Reed College, Allison has been recognized as one of New Mexico's Emerging Artists by the Harwood Art Center and her work has been exhibited throughout the Southwest and Pacific Northwest. As a disabled woman, Allison embraces adaptive techniques and innovative approaches in her creative and teaching practices. She believes that everyone has a unique visual story to tell, and she is dedicated to fostering inclusivity and accessibility in the art world.  www.allisonjoneshunt.com

    • 03/17/2026
    • 03/20/2026
    • 4 sessions
    • Art League Studios
    • 0
    Join waitlist

    This four-day workshop is focused on developing fresh, contemporary paintings through direct observation and intentional mark-making. The first two days will be spent painting a variety of contemporary subjects from life. The final two days will focus on incorporating the clothed figure into surrounding compositional shapes, exploring the relationship between figure and environment. Working alla prima, an Italian term meaning “at once”, students will paint directly from life and produce several small paintings each day. Emphasis will be placed on the simplification of shapes, color relationships, and shadow patterns, rather than over-analyzed perfectionism. Bold, intentional brushstrokes will be encouraged to create paintings that feel immediate, confident, and alive. Each class will begin with a brief visual lecture and instructor demonstration, followed by individual guidance. Structured exercises will help students simplify their color story and work with limited strokes, promoting clarity, freshness, and a contemporary aesthetic while avoiding overworking and unnecessary detail. Students will paint from arranged objects as well as a live model. All painting mediums and experience levels are welcome. The instructor will demonstrate in oils.


    Materials list



    Michelle Chrisman is a plein aire painter of the New Mexico landscape, a contemporary figure painter and a still-life painter. Michelle’s work is represented in Santa Fe by The Signature Gallery, in Taos by Wilder Nightingale Fine Art. Michelle is a contemporary colorist/expressionist painter grounded in the principals of Impressionism. Michelle graduated from Fashion Institute of Technology in Figure Illustration, The School of Visual Arts in Graphic Design with a BFA, and completed intensive art studies at the New York and Denver Art Student Leagues and Scottsdale Artists School. Instructors who have had the greatest influence on Michelle are Kevin MacPherson, Kim English and Peggi Kroll-Roberts. She has long been a Signature Member of PAPNM. www.MichelleChrisman.com

    • 03/22/2026
    • 1:00 PM - 4:00 PM
    • Art League Studios
    • 12
    Register

     The New Mexico Art League holds Sunday Life Drawing Sessions each week with either a clothed or nude model.

    We will begin with quick warm-up poses so artists can capture the figure in motion and move to extended poses during the 3 hour session. These drawing sessions are open to artists of all levels. Artists should bring their own materials and drawing surface. Easels and drawing benches are provided for your use. 



    These sessions do require advance registration.  


    Please check your calendar! Payment is not transferable or refundable.

    Please sign up early; each group is limited to 12 artists.

    Payment must be made at the time of registration in order to hold your place.

    Without payment your place will be cancelled.

    • 03/25/2026
    • 6:00 PM - 8:30 PM
    • Art League Studios
    • 12
    Register

     - SOLVENT FREE STUDIO -

    The New Mexico Art League now holds Wednesday Life Drawing Sessions each week with a  different classical nude pose.

    We will begin with quick warm-up poses so artists can capture the figure in motion and move to extended poses during the 2 1/2 hour session.

    These drawing sessions are open to artists of all levels. Artists should bring their own materials and drawing surface. Easels and drawing benches are provided for your use. 

    These sessions do require advance registration.  

    Please check your calendar! Payment is not transferable or refundable.

    Please sign up early; each group is limited to 12 artists.



    Payment must be made at the time of registration

    in order to hold your place.

    Without payment your place will be cancelled.

    • 03/27/2026
    • 03/29/2026
    • 3 sessions
    • Art League Studios
    • 0
    Join waitlist

    Join encaustic artist, Carolyn Berry, in this fun and experimental workshop where the sky is the limit! Encaustic wax is a versatile medium made from beeswax, damar resin and powdered pigments that can be used for traditional painting techniques as well as a way to add texture, layer and join mixed media materials together. We will explore experimental techniques of painting, drawing, collage, stenciling, photo transfer, wax fusing and surface manipulation. Be inspired to create artwork with a unique surface using melted wax and pigments. Using magazine images, photo images and found collage materials students will achieve successful and personal imagery in this creative medium. No previous art experience is necessary, only an adventurous spirit.


    Materials List *

    * There will be an additional $50 materials fee to be paid directly to the instructor on the first day of the workshop.


    Carolyn Berry has been passionate about teaching art for over 25 years. As a public school teacher, she has been named Outstanding Kansas Educator of the Year and has taught workshops for the Kansas City Art Institute Continuing Education, the Nelson Atkins Museum, Arrowmont School of Arts & Crafts and various art centers. Working primarily with collage, photography and encaustic wax, her encaustic mixed media work can be seen in the recent North Light Book publications, Incite 3 and Incite 4. She maintains a studio and exhibits in the Albuquerque, NM area.  http://www.carolynberryart.com/

    • 03/30/2026
    • 05/18/2026
    • 8 sessions
    • Art League Studios
    • 11
    Register


    This drawing class is designed to build a strong foundation in essential drawing skills through focused observation and intentional mark-making. Students will explore the core principles of line, light, and value, along with composition and the practical use of one-, two-, and three-point perspective as tools for drawing. Working with graphite, charcoal, and conte crayon, the class will include structured exercises and guided explorations that strengthen an understanding of shape, form, proportion, and spatial relationships. As the course progresses, students will learn how these elements work together to create clear, well-constructed drawings. By the end of the session, students will have a deeper understanding of drawing fundamentals and greater confidence in applying these skills across their artistic practice.



    $20 materials fee, to be paid to instructor on the first day of class.  



    Materials List


    Alice Webb  After a short stint at the University of Texas where I studied drawing and design, I moved to Taos. During the seventies I designed jewelry, studied tapestry weaving, created fiber sculptures, and continued to hone my drawing skills. By the late seventies I knew I had to return to painting. Although I now have a Bachelors of Fine Art and a Masters of Art Education from the University of New Mexico, it was by studying the Taos founders and painting in the very spots they frequented that I truly learned to paint. Over the past thirty-five years I have exhibited work nationally. My paintings and prints are included in numerous public and private collections.  www.alicewebbart.com.






    • 03/31/2026
    • 05/19/2026
    • 8 sessions
    • Art League Studios
    • 9
    Register

    This class invites students to explore watercolor techniques that create paintings rich with vibrancy, depth, and expression. This class focuses on the thoughtful use of color, composition, and light to energize a painting and bring it to life on the page. Through guided exercises, students will examine how color relationships, value contrast, and intentional layering work together to create visual movement and emotional impact. Students will practice watercolor methods for planning and building luminous color through transparent washes, color temperature shifts, and selective use of texture and saturation to strengthen focal areas. Special techniques for achieving clarity, intensity, and freshness in watercolor will be introduced, along with strategies for preserving light and avoiding muddy color. The course will begin with all students working from the same reference image, then progress to developing personal compositions that apply these techniques to create vibrant, compelling paintings. Open to students of all skill levels and experience.


    Materials List Coming Soon....


    Pamela Barcita is a watercolor artist, an illustrator, and art teacher who recently moved back to New Mexico after many years living overseas and in other states. Her classes have included Two-Dimensional Design, Illustration, Drawing and Watercolor Painting. Pamela is the illustrator of over 25 children’s books. Pamela earned a Master’s Degree in Studio Art with an emphasis in Illustration from Marywood University in Scranton, PA in 1998. She is a member of The New Mexico Watercolor Society and the New Mexico Art League. Pamela’s watercolor paintings won several awards from the Southside Artists Association art shows in 2018-19, ranging from People’s Choice, Third, Second and First Place. And most recently she won Best of Show, New Mexico Watercolor Society, 2024.

    • 03/31/2026
    • 05/19/2026
    • 8 sessions
    • Art League Studios
    • 11
    Register

    In this 8-week course, we’ll explore one of the most expressive and ever-changing subjects in the landscape: the sky! Students will learn to capture clouds, light, and atmosphere while exploring the subtle transitions that give skies their emotional power. Through a mix of structured lessons and personal exploration, we’ll study essential principles of landscape painting: composition, color temperature, brushwork, paint application, edges, and focal points. Discover why the sky appears blue, what gives sunsets their warmth, how shadows carry color, and how to create a sense of depth through atmospheric perspective. We’ll study a range of cloud types and how their form, value, and color can shape a composition. Lessons will also focus on keeping colors vibrant, avoiding muddiness, and using harmonious palettes for greater visual impact. Techniques such as alla prima, layered painting, realism, and impressionism will be introduced, allowing you to adapt each approach to your own artistic goals. The pace of the class offers plenty of time for hands-on painting and instructor demonstrations. Supportive, individualized instruction ensures every student, from beginner to advanced, can grow with confidence. Intermediate painters working in oil or acrylic will benefit most from this course. Come ready to experiment, learn, and capture the beauty and drama of the sky.


    MATERIALS LIST


    Dick Wimberly is a plein air artist. He has been painting outdoors for over 40 years. He has studied with Wilson Hurley, Clyde Aspevig and Michael Lynch. Dick has taught workshops around the US, taking great pleasure in watching his students discovering and growing into their own thoughts and abilities.Dick has won numerous awards over the years and is proud of being a three time   recipient of the Jeff Potter award for best landscape by a New Mexico artist at the PAPNM National Juried Members Show. Dick Wimberly served as the President of the Plein Air Painters of New Mexicoand is a member of the Oil Painters of America and of the Laguna Plein Air Painters Association. https://dickwimberly.com/

    • 04/01/2026
    • 05/20/2026
    • 8 sessions
    • Art League Studios
    • 3
    Register

    The objective of this class is to acquaint students with traditional and contemporary techniques in drawing and painting that will give them the solid background needed to develop their own individual style. Class will begin with a short lecture and demonstration, after which students will explore these techniques working from still life arrangements, their own photographic material or any images of their choosing.  Class will progress to the introduction of fundamental principles of design, including composition, perspective and color.  There will be basic homework assignments every week, related to the themes covered in class.  Students will also be strongly encouraged and receive personal guidance to develop individual projects and personal ideas.  Please sign up early; class size is limited to 12 students.


    Materials List


    Maria C. Cole is a graduate of Rutgers University where she earned a Master’s Degree in Art History, also earned a Bachelor’s Degree in Education from Montclair State and completed studies at the Art Students League of New York City.  During her student years she was fortunate to enjoy the guidance of master pastelist Albert Handell, and renowned drawing and anatomy instructor Michael Burban.  www.maria-cole.com/

    • 04/01/2026
    • 05/20/2026
    • 8 sessions
    • Art League Studios
    • 10
    Register

    Experience the rich tradition of oil painting through the lens of time-honored methods developed by the great painters. In this course, students will sharpen their powers of observation and deepen their understanding of how color creates atmosphere, light, and form. The instructor will work closely with each student, offering guidance tailored to individual skill levels and artistic goals. While rooted in classical fundamentals, such as composition, depth of field, aesthetic and visual balance, the direct painting method presented also encourages creative interpretation and personal expression. Class size is limited to 12 students.


    Materials List


    J. Waid Griffin has painted the mountains and deserts of the southwest for thirty-five years. He is a Signature Member of the Oil Painters of America and a member of the New Mexico Plein Air Painters, and the Rio Grande Art Association. He holds a BFA in Painting from Texas Tech University and has studied with Michael Lynch, Mark Daily, and Kevin MacPherson, among others. He holds a Master of Music in Theory and Composition, also from Texas Tech. Waid has also taught music and art to high school students in the Albuquerque area. Waid has received numerous awards for his paintings, including the Outstanding Achievement Award at the 2008 Masterworks art show, and most recently, 2nd Prize in Oil Painting at the 2020 Phippen Museum Art Show & Sale. www.griffin-art.com

    • 04/02/2026
    • 05/21/2026
    • 8 sessions
    • Art League Studios
    • 12
    Register

    Exploring color can be a lifetime journey. In this hands-on painting class, we’ll dive into color theory through the lens of Johannes Itten’s Seven Kinds of Color Contrast, learning how to apply these principles to both abstract and representational work. Learn to use and mix any color on your palette.  We’ll start by creating color charts to better understand how contrast shapes visual impact. Then, using limited palettes or chosen color schemes, you’ll create your own paintings guided by both structure and intuition. Whether you’re new to color or looking to deepen your practice, this class offers a rich foundation for developing a more intentional and expressive approach to painting. 


    Materials List

    An active plein-air painter as well as a studio painter, David Schwindt is known for his landscape paintings of the Southwest. He graduated from Fort Lewis College with a degree in Art and minors in Music and Humanities, studied with watercolor masters, Millard Sheets, Milford Zornes, and others through the New Mexico Watercolor Society where he served as President. He studied oil painting with Wilson Hurley, Zhang Wenxin, Clyde Aspevig and others, and has passed on his knowledge by teaching at the Scottsdale Artists School, Albuquerque Academy, and workshops around the Southwest. He has published articles in The Artist’s Magazine and has been featured in many other art publications. He currently lives in the North Valley of Albuquerque and paints outdoors regularly with old friends and new. www.davidschwindtartist.com

    • 04/02/2026
    • 05/21/2026
    • 8 sessions
    • Art League Studios
    • 8
    Register

    Relationships are everything, including in the making of strong, resonant art. This eight-week class explores how the essential components of visual language work together to create paintings with clarity, depth, and intention.  Moving beyond the pursuit of a “pretty picture”, students will learn how relationships between elements are what give artwork its strength, coherence and emotional impact. Through brief weekly introductions and focused exercises, the course emphasizes the decision-making process behind effective composition.  Students will investigate how the placement of objects, scale and mass, value and contrast, light and shadow, line, color, and perspective interact to shape a compelling visual statement. These concepts are then applied directly to individual painting projects, allowing each artist to work at their own scale and in the medium of their choice. As the class progresses, students will learn to pull these elements together, refining their ability to adjust, balance, and strengthen visual relationships with their work. The result is a deeper understanding of how intentional choices lead to more powerful and meaningful paintings.


    Materials List

    Cynthia Inson:  The best thing about being an artist is the journey of learning, analysis, decision making and discovery that I so enjoy as I create. All these things truly fuel and run my engine. Painting is much like writing to me. Instead of words I am using paint, color, brushstroke, lines, form to develop the story and create an impression of mood, light, distance, and three-dimensionality on a two-dimensional surface and space. My goal, as an artist, is to captivate the viewer, to convince them to feel that sense of awe and joy that I felt seeing the sky that I painted or the mountains, roses, water, whatever. The goal is to stop them in their tracks and for them to respond and enjoy the impression the painting evokes. The added challenge, for me as an artist, is also to create paintings that continue to draw the viewer in, to visually wander, to see parts or the whole of the painting differently over time. This worthy challenge also continues to fuel my growth as an art. Education: Undergraduate in Art History and Studio Arts, Masters in Anthropology and Archeology. Wichita State University, Wichita, Kansas. I'm thrilled to be part of the Faculty for the New Mexico Art League. Honored to be represented by the Nedra Matteucci Galleries, Santa Fe, New Mexico.

    • 04/03/2026
    • 05/22/2026
    • 8 sessions
    • Art League Studios
    • 9
    Register

    Ready to move beyond the usual and break the mold with your art? This 8-week course invites you to explore the boundless possibilities of abstraction, encouraging bold experimentation with form, color, and concept. Whether you work with dry drawing materials, water-based media, oils, or acrylics, this class supports a flexible, student-driven approach.You’ll choose your own tools and timing, with the exception of weekly homework assignments, which will always be completed on paper. The structure of the class is adaptable: those looking for more guidance can follow weekly in-class prompts, while independent-minded artists may use the time as open studio to dive into personal projects.Through discussions of both contemporary and historical artists, we’ll situate our work within a broader cultural context. Group critiques will open up valuable conversations about process, meaning, and creative intention. Whether you're refining your visual language or just beginning to explore abstraction, this class offers a space to take risks, expand your thinking, and have fun while doing it.

    Please sign up early; class size is limited to 12 students.


    Materials List


    Born in Long Island, Michael Ottersen attended Tyler School of Art in Philadelphia and spent three semesters studying in Rome in Tyler's overseas program. He later moved to New York City where he lived and worked for twelve years in magazine production and design. Later relocating to Seattle, Washington, Michael began teaching at various schools and colleges in the Pacific Northwest for the next nineteen years which included the Gage Academy of Art, Pratt Fine Art Center, the Northwest College of Art and Design and Kirkland Art Center. Returning to New Mexico, he continues to teach classes at The Art League.  www.michaelottersen.com

    • 04/03/2026
    • 05/22/2026
    • 8 sessions
    • Art League Studios
    • 11
    Register

    Explore and create art reflecting emotion touched with tones of purple, through curriculum covering shadowed floral still lifes, stormy skies and sunsets. This series of classes will delve into the intricacies and depth of reflections within the landscape and still life genres. Learn the expansive capabilities of the pastel medium. effects of color, and development of atmospheric paintings. Emphasis will be on exploratory studies and demonstrations, with one-to-one assistance on refining drawing techniques. Individuality in style and expression will be highly encouraged. This class is open to artists at all levels. Please sign up early for class size is limited to 12 students. Come and play!


    Materials List


    Albuquerque multidisciplinary artist Susan E. Roden, attended the Cleveland Institute of Art and the Houston Art Institute. Her art is exhibited nationally and she is the recipient of awards including Catharine Lorillard Wolfe Art Club’s Award (NY) and the Yarka Award from the Salmagundi Club (NY). She attended residencies to Arizona’s Petrified Forest National Park (2009) and California’s Desert Dairy Farm (2021, 2022). Roden was featured on the cover of the Pastel Artist International Magazine (2002) with an accompanied article of her technique and cited in the Southwest Art Magazine. She has taught at the University of California San Diego Extension, San Diego Museum of Art and Oasis /Albuquerque. 

    • 04/04/2026
    • 05/30/2026
    • 8 sessions
    • Art League Studios
    • 8
    Register

    This class is for intermediate artists who want to go to the next level. If you are asking yourself “Where do I go from here?”, this class will give you the direction you are seeking. Alice will be working with each student individually to determine how to build on your strengths and how to turn weaknesses into assets. Together you will clarify your visual voice and understand how your personal creative vocabulary is already apparent in your work. Alice will encourage an investigation of the imagery, color choices and composition you are presently using and guide you to a strong individual path in your painting.  

    Please bring your preferred materials. All media, charcoal and pencil, pastels, oils, acrylics and watercolors, are welcome. 


    Please sign up early; class size is limited to 12 students.


    Alice Webb  After a short stint at the University of Texas where I studied drawing and design, I moved to Taos. During the seventies I designed jewelry, studied tapestry weaving, created fiber sculptures, and continued to hone my drawing skills. By the late seventies I knew I had to return to painting. Although I now have a Bachelors of Fine Art and a Masters of Art Education from the University of New Mexico, it was by studying the Taos founders and painting in the very spots they frequented that I truly learned to paint. Over the past thirty-five years I have exhibited work nationally. My paintings and prints are included in numerous public and private collections.  www.alicewebbart.com.






    • 04/04/2026
    • 04/25/2026
    • 4 sessions
    • Art League Studios
    • 12
    Register



    Do you love to paint and draw? Join artist and teacher, Susan Roden, for a comprehensive 4-week skill-building course covering areas of study in two-dimensional art and three-dimensional sculpture, offered several times a year. Students will create multiple painting, drawing and design projects. As well as making your own work, you will look at and learn from artists of the past and present to fuel your own unique art. Come ready to ask questions, share ideas and create. This is a no-pressure environment where all levels are welcome. Individualized guidance and constructive feedback will be given. 

    Most materials will be provided for you, included in the price of the course. Students will need to purchase a small amount of personal supplies.  List coming soon...

    Albuquerque multidisciplinary artist Susan E. Roden, attended the Cleveland Institute of Art and the Houston Art Institute. Her art is exhibited nationally and she is the recipient of awards including Catharine Lorillard Wolfe Art Club’s Award (NY) and the Yarka Award from the Salmagundi Club (NY). She attended residencies to Arizona’s Petrified Forest National Park (2009) and California’s Desert Dairy Farm (2021, 2022). Roden was featured on the cover of the Pastel Artist International Magazine (2002) with an accompanied article of her technique and cited in the Southwest Art Magazine. She has taught at the University of California San Diego Extension, San Diego Museum of Art and Oasis /Albuquerque. Roden is juried member with the Catharine Lorillard Wolfe Art Club (NY), Distinguished Pastelist and Past President of the Pastel Society of New Mexico, member of the Women Entrepreneurs of New Mexico and the New Mexican Chapter of the National Museum of Women in the Arts.  www.susaneroden.com


    • 04/06/2026
    • 05/18/2026
    • 7 sessions
    • Art League Studios
    • 12
    Register

    Join watercolor painter Dave Cook in this seven-week class exploring the approaches he uses in his own practice to create compelling and expressive watercolor landscapes. Through these methods, students will experience the unique versatility and beauty of transparent watercolor while learning how thoughtful design choices support strong, finished work. Cook will share the elements of good design that are central to his process, along with practical drawing and painting techniques that build confidence and lead to immediate results. Students will learn how Cook uses sketchbooks, value studies, and color sketches to develop ideas and strengthen compositions before painting. Emphasis is placed on applying composition, light, atmosphere, color temperature, and contrast to clearly express mood. Instruction will include group and individual demonstrations, as well as time for focused painting with constructive feedback. This course is suitable for artists at any level and provides a supportive environment for developing stronger watercolor landscapes.


    Materials List


    Dave Cook, an artist and architect, explores the beauty of the created world through vivid, colorful shape-dominated paintings.  His approach to water media painting is varied and explorative; he paints landscapes often with references to buildings and structures as a natural outgrowth of his architectural background.  HIs cityscapes, portraits and animal paintings are expressive studies with dramatic light interplay.  The techniques he employs are often spontaneous with energy and emotion.  He paints somewhere between realism and abstraction, using water media on paper, often using various textures, strokes and effects.  www.dcookart.com/

    • 04/24/2026
    • 04/26/2026
    • 3 sessions
    • Online Zoom Course
    • 7
    Register

    Cultivated in gardens since 300 BC, daffodils boast many colors, shapes, sizes and have long been an inspiration to gardeners, botanists and artists! Now, it’s your turn to create a work of beauty using the combined effects of watercolor and graphite in this 3-day class. Bring your favorite species and hone your perspective skills as we review the geometry of forms in space. Combine and refine your pencil lines and shapes to compose a final design. Through color mixing exercises you learn the “Color to Value” method. Practice layering and lifting techniques to create delicate textures and translucency. Combine brush and pencil strokes to finalize the details. This surprisingly quick technique will help you to come away with a Spring Floral composition.


    Materials List

    Marjorie Leggitt is an award-winning science illustrator based in Bellingham, Washington. Specializing in illustration for professional botanical journals, reference publications and museum exhibits, she also creates art for commercial clients. A self-taught artist, Marjorie began her career dissecting and illustrating Australian land snails at Chicago's Field Museum of Natural History but soon returned to her passion - drawing plants. While illustrating the first of several botanical field guides, she was contracted by the Denver Museum of Nature and Science to develop visual reconstructions of ancient plant life for the Prehistoric Journey permanent exhibit. Most recently, Marjorie acted as lead artist for Flora of North America and Flora of Oklahoma. Marjorie has taught botanical illustration courses through the Denver Botanic Gardens School of Botanical Art and Illustration since 1990. Although “retired” as a full time instructor, she continues to teach her own online and in-person classes  

    www.marjorieleggitt.com

    • 05/02/2026
    • 05/23/2026
    • 4 sessions
    • Art League Studios
    • 12
    Register



    Do you love to paint and draw? Join artist and teacher, Susan Roden, for a comprehensive 4-week skill-building course covering areas of study in two-dimensional art and three-dimensional sculpture, offered several times a year. Students will create multiple painting, drawing and design projects. As well as making your own work, you will look at and learn from artists of the past and present to fuel your own unique art. Come ready to ask questions, share ideas and create. This is a no-pressure environment where all levels are welcome. Individualized guidance and constructive feedback will be given. 


    Most materials will be provided for you, included in the price of the course. Students will need to purchase a small amount of personal supplies.  List coming soon...


    Albuquerque multidisciplinary artist Susan E. Roden, attended the Cleveland Institute of Art and the Houston Art Institute. Her art is exhibited nationally and she is the recipient of awards including Catharine Lorillard Wolfe Art Club’s Award (NY) and the Yarka Award from the Salmagundi Club (NY). She attended residencies to Arizona’s Petrified Forest National Park (2009) and California’s Desert Dairy Farm (2021, 2022). Roden was featured on the cover of the Pastel Artist International Magazine (2002) with an accompanied article of her technique and cited in the Southwest Art Magazine. She has taught at the University of California San Diego Extension, San Diego Museum of Art and Oasis /Albuquerque. Roden is juried member with the Catharine Lorillard Wolfe Art Club (NY), Distinguished Pastelist and Past President of the Pastel Society of New Mexico, member of the Women Entrepreneurs of New Mexico and the New Mexican Chapter of the National Museum of Women in the Arts.  www.susaneroden.com


Gallery Hours: 10 am to 4 pm Tuesday - Saturday  505-293-5034

3409 Juan Tabo Boulevard NE, Albuquerque, New Mexico 87111     Map It  

Mailing address: P.O. Box 16554, Albuquerque, NM 87191                              

       Join us on Facebook   fb logo  and on Instagram 
                     Subscribe to our e-Newsletter                   
copyright New Mexico Art League
Powered by Wild Apricot Membership Software